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Tendencije 4
Darko Fritz
The fourth Tendencies exhibition (1968/69) was
marked by a further penetration of the idea of a
theory of information and exact aesthetics. The
artistic use of computers was a ‘last try’
of the
Tendencies movement to synchronize its goals as
the ‘scientification
of art’
and ‘bettering the society’
and historical movement of 1968. The exhibition
presented a broad spectrum of computer art only,
hosting the participants from both cold war blocks.
(Darko
Fritz “Amnesia International -
early computer art and the
Tendencies movement”)
Boris Kelemen, co-organizer of "tendencije
4”:
"Finally, this exhibition should not be understood
as the supremacy of technology, but as an
endeavor to overcome the new technology and use
it for new results in the visual field."
Bek, Bozo; Kelemen, Boris (Ed.). Computer and visual research,
catalogue 't4. tendencije 4' (1968 -
69), Zagreb, 1970. Exhibition
catalog
Ivan Picelj poster Tendencije 4